Tag: hip-hop

What's Realer Than Fat and Tendon? The Humanity of P.O.S.

At some point, I had aspirations of creating a list chronicling the best releases of the past year. But when I thought of what albums should appear on such a list, one hip-hop record in particular kept imposing itself and making it’s presence known. That record is Never Better by P.O.S.

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In most modern rap records, the number of producers on the album will often mirror the number of tracks. That’s why it’s so refreshing to hear Never Better’s rock solid, consistent production. Over half the tracks are produced by P.O.S. himself, and the rest are all produced by his affiliates at Doomtree.

Here, we see real thought to dynamics and melody, while still maintaining hip-hop’s rhythmic core, with just a bit of P.O.S.’ punk rock background manifesting to make it interesting. All of the tracks stand as independent, beautiful productions, more focused on good songwriting than a catchy hook. P.O.S. rejects superficial sheen in favor of honest-to-god to beauty, and “Purexed” is the textbook definition of such a practice.

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We see the same level of thought and care put into Never Better’s lyrical content. Each line is expertly crafted, while still sounding natural and effortless upon delivery. On the surface, we see a catchy, precise flow encasing clever lyricism that doesn’t rely on puns (“Correct, the best shoes, the worst steps”). Dig deeper, we see larger thoughts and ideas at play (“In a world where the world ends at the end of your block, And them little whirlwinds spin friction ’round the clock”). All of this and more stated with an undeniable confidence and honesty.

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To me, this record, more than anything, represents how hip-hop should sound in it’s modern form. Free from gimmicks or trends, this is pure creative genius released in the form of rhythm and lyric. It doesn’t use slick production or studio tricks to sound futuristic, it instead opts for pure, unfiltered humanity. And in that, it is entirely modern.

YouTube Round-Up: 5/26/09

The YouTube roundup is a regular feature, showcasing various music-related videos that inform, entertain, or stupefy.

DJ Funktuall

This guy is a gem in the pile of shit that usually makes up YouTube. He has a seemingly encyclopedic knowledge of  Funk, Soul, and classic Hip-Hop; knowledge that he is more than happy to share. He has his semi-regular series “Top 10 Samples in Hip-Hop History”, part 20 of which is posted above. He has managed to capture the base excitement of hearing something familiar in it’s original context, all wrapped in the personality of a guy who is smart, funny, and knowledgeable. He has the recipe, to say the least. Subscribe immediately.

The Same Love Made Me Laugh

Bonnie Prince Billy covers Bill Withers’ “The Same Love Made Me Laugh”. I believe it might be impossible to find a single flaw in this thing, because it’s the little imperfections that make the performance endearing and, ultimately, perfect. The wavering pitch, the crack in the voice, the nervous tick all make the emotional context a real, tangible thing, as apposed to an abstract concept. It’s not rehearsed or practiced, this is Bonnie Price Billy, just as he was made.

YouTube Round-Up: 2/13/09

The YouTube roundup is a regular feature, showcasing various music-related videos that inform, entertain, or stupefy.

The History of the Amen Break

A great documentary on one of the most famous samples ever. It’s interesting how such a small section of a relatively minor piece of music can birth whole genres and embed itself in the public consciousness, without most of the public even knowing it’s origins. Also offers some thoughts on the ethics of sampling, a topic I will surely be covering at a later date. Gets a little preachy, but still worth watching.

The Monome

I find the Monome to be an exciting endeavor, despite the actual hardware being extremely simple. It’s a bunch of buttons. They light up. That’s it. What makes the Monome revolutionary is its open source nature, and how the electronic music community has embraced the platform. The thing can be shaped and carved into whatever the user wants. In my mind, this is the essence of true innovation, musical or not.

The Beastie Boys – Three MC’s and One DJ

I can’t really generate a lot to say about this. It’s just astounding. Look past the corny set-up, and you are seeing the roots and basics of hip-hop culture. This song is the year zero of the genre, years after the date in question.